1
00:01:25,000 --> 00:01:26,000
Cut!

2
00:01:30,000 --> 00:01:34,000
My little mitzie, you are truly wonderful, it’s splendid.

3
00:01:38,000 --> 00:01:39,000
Pudeau?

4
00:01:39,000 --> 00:01:40,000
THANKS.

5
00:01:41,000 --> 00:01:42,000
You are awesome.

6
00:01:43,000 --> 00:01:47,000
Don't spoil our spotlight. She did her job very well, that's all.

7
00:01:47,000 --> 00:01:52,000
She's a professional, of which there are dozens in America, but here, it seems extraordinary.

8
00:01:52,000 --> 00:01:55,000
Thanks, Dan. I'm happy to shoot the next one with you.

9
00:01:55,000 --> 00:01:57,976
We're shooting the next clip in a month.

10
00:01:58,000 --> 00:02:02,000
But tomorrow afternoon, first rehearsal of the dance and the song.

11
00:02:02,000 --> 00:02:03,000
Ok, you can turn off.

12
00:02:05,000 --> 00:02:06,000
Good evening, Mitsy.

13
00:02:06,000 --> 00:02:07,000
Good evening.

14
00:02:08,000 --> 00:02:09,000
Good evening.

15
00:02:11,000 --> 00:02:13,000
You showed us a little goodnight, Dan, huh?

16
00:02:13,000 --> 00:02:17,000
Yes, if you're still here, I need to talk to Mitsy.

17
00:02:19,500 --> 00:02:22,000
You Dan, turn off the electricity when you go out.

18
00:02:22,000 --> 00:02:25,000
Okay, Marcel.

19
00:02:27,000 --> 00:02:31,000
- Is that what you wanted to tell me?
- I can't explain it to you any better.

20
00:02:31,000 --> 00:02:32,000
You fascinated me.

21
00:02:33,000 --> 00:02:37,000
No actress had ever given me such a feeling.

22
00:02:37,000 --> 00:02:40,000
You put me in such a state.

23
00:02:40,000 --> 00:02:44,000
Me too.
When I'm finished, I'm like a book.

24
00:08:19,760 --> 00:08:23,760
Be reassured when loved ones pass away,
she becomes herself again.

25
00:08:23,760 --> 00:08:24,760
What does that mean?

26
00:08:24,760 --> 00:08:29,760
There is that on a set, she is perhaps a sex symbol,
but in life, she has a crinoline in her head.

27
00:08:29,760 --> 00:08:31,760
It's not bad to be romantic.

28
00:08:31,760 --> 00:08:34,760
Oh, my little love, it's a very nice sport,

29
00:08:34,760 --> 00:08:38,760
in which it's best to avoid soul summers if you're going to be competitive.

30
00:10:09,760 --> 00:10:10,760
Oh, baby.

31
00:10:31,560 --> 00:10:34,560
I could have left the door on my keys.

32
00:10:34,560 --> 00:10:37,560
Wait for me.

33
00:10:42,560 --> 00:10:45,560
- Did you live here back in the day?
- Yes. There is...

34
00:10:45,560 --> 00:10:48,060
I don't know anymore, but it seems very far away.

35
00:10:48,060 --> 00:10:51,060
And now you only use it to bring your boyfriends?

36
00:10:51,060 --> 00:10:52,060
Yeah.

37
00:10:52,060 --> 00:10:54,060
- Do you not like it?
- No.

38
00:10:54,060 --> 00:10:57,060
It's exciting to accompany a man to an unusual place,

39
00:10:57,060 --> 00:11:01,060
such as an attic, a barn, an uninhabited house.

40
00:11:01,060 --> 00:11:03,060
Does that reassure you, Mirna?

41
00:11:03,060 --> 00:11:05,060
Yes, I hate it when people surprise us when...

42
00:11:05,060 --> 00:11:07,036
Are you going down?

43
00:11:07,060 --> 00:11:09,060
Don't be rude.

44
00:11:09,060 --> 00:11:12,060
Stop me from talking.

45
00:16:17,760 --> 00:16:18,760
Mitsy!

46
00:16:26,760 --> 00:16:27,760
Mitsy!

47
00:16:28,760 --> 00:16:30,760
Why didn't you warn me?

48
00:16:30,760 --> 00:16:33,760
Renato, no way. Life disgusts me.

49
00:16:34,760 --> 00:16:39,760
Mitsy, my little girl, you are even crazier than when we divorced.

50
00:16:40,760 --> 00:16:42,760
No, Renato, don't touch me.

51
00:16:47,760 --> 00:16:48,760
For what ?

52
00:16:50,760 --> 00:16:53,760
Are you abandoning me for your film career?

53
00:16:53,760 --> 00:16:57,760
I have no more news from you, apart from what I read in the newspapers.

54
00:16:57,760 --> 00:17:01,760
And when you come unexpectedly,
I should have waited for you.

55
00:17:02,760 --> 00:17:06,760
No, of course. But I needed your strength and help so much.

56
00:17:06,760 --> 00:17:08,760
I'm so helpless, Renato.

57
00:17:08,760 --> 00:17:11,760
Well, I can still bring all this to you.

58
00:17:11,760 --> 00:17:14,760
But will this girl, Renato, be your new wife?

59
00:17:14,760 --> 00:17:19,760
But no, don’t worry. When we were lucky enough to have had you as our wife,

60
00:17:19,760 --> 00:17:21,760
we only have adventures left.

61
00:17:22,760 --> 00:17:24,760
An adventure, Renato? Do you swear?

62
00:17:24,760 --> 00:17:25,760
Of course.

63
00:17:26,760 --> 00:17:30,760
You'll see, she's a nice girl. Very practical.

64
00:17:31,760 --> 00:17:34,760
I feel better already. You always put everything away.

65
00:17:34,760 --> 00:17:38,760
I'm not on your case for nothing.

66
00:17:39,760 --> 00:17:42,760
I left them in the middle of rehearsing the new clip.

67
00:17:42,760 --> 00:17:44,760
And in what honor?

68
00:17:44,760 --> 00:17:46,736
A depression.

69
00:17:46,760 --> 00:17:49,760
You must have had a terrible emotional shock, then?

70
00:17:49,760 --> 00:17:51,760
Yes, a terrible shock.

71
00:17:51,760 --> 00:17:54,760
And I think it would be indiscreet to ask you which one?

72
00:17:54,760 --> 00:17:55,760
Exact.

73
00:17:55,760 --> 00:17:57,760
But you're not afraid of the consequences?

74
00:17:57,760 --> 00:17:58,760
What consequences?

75
00:17:58,760 --> 00:18:01,760
I don't know. The studio or production,

76
00:18:01,760 --> 00:18:03,760
for all the damage you caused them.

77
00:18:03,760 --> 00:18:05,760
I don't worry.

78
00:18:05,760 --> 00:18:09,760
Let's wait to find out who finds me.

79
00:18:11,760 --> 00:18:15,760
I don't think you'll have to wait very long.

80
00:18:56,760 --> 00:18:58,760
I swear, you then.

81
00:18:58,760 --> 00:18:59,760
Yvonne?

82
00:19:00,760 --> 00:19:01,760
My darling.

83
00:19:01,760 --> 00:19:03,760
You gave us a good one, you know.

84
00:19:07,760 --> 00:19:10,760
- How did you find me?
- With a little common sense.

85
00:19:10,760 --> 00:19:14,760
You shouldn't be too smart to think
to Renato and your old lake house.

86
00:19:14,760 --> 00:19:16,760
You haven't said anything to Roger, I hope.

87
00:19:16,760 --> 00:19:17,760
Are you talking?

88
00:19:17,760 --> 00:19:19,760
He's the one who sent me to see you.

89
00:19:19,760 --> 00:19:21,760
He's coming tomorrow to bring you back

90
00:19:21,760 --> 00:19:24,760
and maybe accompanied by Dan Butter.

91
00:19:24,760 --> 00:19:26,760
If he brings Dan, I'll kill him.

92
00:19:26,760 --> 00:19:30,760
You always have a way of making things right.

93
00:19:31,760 --> 00:19:34,736
Come, show me your paradise.

94
00:19:34,760 --> 00:19:38,760
You've been talking to me about it for a long time.

95
00:19:56,660 --> 00:19:57,660
Don't make a face.

96
00:19:57,660 --> 00:19:59,460
Your address would have been there without me.

97
00:19:59,460 --> 00:20:00,760
The great producer Roger Van Del.

98
00:20:00,760 --> 00:20:02,760
And maybe also the handsome playboy Dan Butter.

99
00:20:02,760 --> 00:20:05,760
Jumper of anyone, as long as it's a girl again.

100
00:20:05,760 --> 00:20:09,760
We no longer like our secretary, makeup artist, dresser, private person.

101
00:20:32,760 --> 00:20:34,760
Let's take a dip, are you okay?

102
00:20:34,760 --> 00:20:35,760
Chick.

103
00:20:58,760 --> 00:20:59,760
Come on, go ahead.

104
00:21:04,760 --> 00:21:05,760
Come on, come on.

105
00:21:05,760 --> 00:21:07,760
No, no, no.

106
00:21:07,760 --> 00:21:08,760
No.

107
00:21:12,760 --> 00:21:14,760
- My clothes,
- it doesn't matter.

108
00:21:17,760 --> 00:21:18,760
Give me your hand.

109
00:21:21,760 --> 00:21:22,760
No.

110
00:27:41,000 --> 00:27:43,000
I have to go, my darling.

111
00:27:45,000 --> 00:27:49,000
So, I'm going to join the girls for your pleasure and mine.

112
00:32:54,000 --> 00:32:57,000
L’Acte Co, more than 1000 km from Paris,

113
00:32:57,000 --> 00:32:59,000
joined with his first soul.

114
00:33:00,000 --> 00:33:03,000
She could have chosen the Paris region, like everyone else.

115
00:33:06,000 --> 00:33:08,000
No, no, thank you.

116
00:33:10,000 --> 00:33:13,000
Ah, Mitsy!

117
00:33:13,000 --> 00:33:15,000
My darling!

118
00:33:15,000 --> 00:33:19,000
Oh, my little one wants to be adored, but what happened to you?

119
00:33:19,000 --> 00:33:23,000
Fed up with you and your team of gougnafiers.

120
00:33:23,000 --> 00:33:25,000
Tell me, Sla, to me,

121
00:33:25,000 --> 00:33:27,000
who traveled so many miles to reach you,

122
00:33:27,000 --> 00:33:29,000
without even having time to eat lunch.

123
00:33:30,000 --> 00:33:34,000
Lunch? Well, go ahead, have your lunch.

124
00:33:34,000 --> 00:33:36,000
You, of whom I made a star.

125
00:33:37,000 --> 00:33:40,000
Any girl in your place would become a slave.

126
00:33:40,000 --> 00:33:42,000
Here, right in the front page, exactly.

127
00:33:42,000 --> 00:33:44,000
Propose to him.

128
00:33:46,000 --> 00:33:48,000
What did she mean?

129
00:33:48,000 --> 00:33:49,000
Nothing.

130
00:33:49,000 --> 00:33:51,000
Fools.

131
00:33:51,000 --> 00:33:53,000
What nonsense, Mr. Producer?

132
00:33:53,000 --> 00:33:55,000
That I should throw at you.

133
00:33:55,000 --> 00:33:57,000
And you, at least, would be grateful to me.

134
00:33:57,000 --> 00:33:59,000
Grateful?

135
00:33:59,000 --> 00:34:01,000
But, in advance, even.

136
00:34:01,000 --> 00:34:03,000
In advance?

137
00:37:51,000 --> 00:37:52,000
Here, get on with it!

138
00:37:52,000 --> 00:37:53,000
Hold !

139
00:37:53,000 --> 00:37:54,000
Hey, well, let me go back!

140
00:37:54,000 --> 00:37:57,000
I'll take you out of here!

141
00:37:57,000 --> 00:38:00,000
You would have been much better!

142
00:38:10,000 --> 00:38:13,000
And I believe now that Mirna will join your charming troupe

143
00:38:13,000 --> 00:38:14,000
and follow Roger Van Del.

144
00:38:15,000 --> 00:38:16,000
Doesn't that matter to you?

145
00:38:16,000 --> 00:38:20,000
Since you left, I have become a hunter again.

146
00:38:20,000 --> 00:38:24,000
What excites me in love is the fu, the stage fright and the vest.

147
00:38:24,000 --> 00:38:26,000
Always renewed?

148
00:38:27,000 --> 00:38:28,000
Exact.

149
00:38:28,000 --> 00:38:33,000
But tell us, but if Yvonne and I, who are the two people closest to you,

150
00:38:33,000 --> 00:38:36,000
what happened to you to have such hatred?

151
00:38:36,000 --> 00:38:39,000
This Dan, since you, is the first man I met.

152
00:38:39,000 --> 00:38:43,000
Romantic, caring, everything I love in a man.

153
00:38:43,000 --> 00:38:45,000
So much so that, like a figure,

154
00:38:45,000 --> 00:38:48,000
I gave myself to him on set even at the end of filming.

155
00:38:48,000 --> 00:38:49,000
So what?

156
00:38:50,000 --> 00:38:54,000
Then I left the studio and forgot my bag.

157
00:38:54,000 --> 00:38:55,000
And you returned it to him?

158
00:38:55,000 --> 00:38:56,000
Yes.

159
00:38:56,000 --> 00:38:58,000
And you had a surprise, I'm sure.

160
00:38:58,000 --> 00:39:00,000
Yes, a horrible surprise.

161
00:39:00,000 --> 00:39:02,000
Never arrive unexpectedly.

162
00:42:58,000 --> 00:43:03,086
And I know him well enough
to tell you that if you accept

163
00:43:03,110 --> 00:43:09,000
shoot the next clip it will be
only for the eroge team.

164
00:43:09,000 --> 00:43:10,976
Not for you.

165
00:43:11,000 --> 00:43:14,000
She will never agree to see you again outside of the set.

166
00:43:14,000 --> 00:43:17,488
She put you on such a footing
estal that everything broke in

167
00:43:17,512 --> 00:43:21,000
wing when she saw you with everyone
his people in such debauchery.

168
00:43:21,000 --> 00:43:27,976
Yvonne, no one will believe it if I say
that... Mitsy, the greatest love of my life.

169
00:43:28,000 --> 00:43:30,976
No, Dan. No one will believe you.

170
00:43:31,000 --> 00:43:35,000
Especially after joining his daughters when you were barely out of his arms.

171
00:43:35,000 --> 00:43:39,000
In fact, I've done hundreds of games like that.

172
00:43:39,000 --> 00:43:46,700
But I was so happy to love Mitzi that after she left, I started drinking and...

173
00:43:46,700 --> 00:43:50,000
and I joined them in celebrating my life.

174
00:43:50,000 --> 00:43:52,976
Your luck, my poor Dan.

175
00:43:53,000 --> 00:43:57,000
You would have been better off killing yourself.

176
00:44:07,000 --> 00:44:08,000
Rola, wake up.

177
00:44:11,000 --> 00:44:12,000
Ho!

178
00:44:14,000 --> 00:44:15,000
What's going on?
One of your friends took

179
00:44:15,087 --> 00:44:18,400
a bar that went
heal at the bottom of the lake.

180
00:44:18,400 --> 00:44:19,976
I tell you.
But yes, the Dan Butter fitur.

181
00:44:20,000 --> 00:44:21,000
Awake, it’s this way.

182
00:44:22,000 --> 00:44:23,000
Yes.

183
00:44:24,000 --> 00:44:25,000
Get them down.

184
00:44:25,000 --> 00:44:26,000
Come on, quickly.

185
00:44:26,000 --> 00:44:28,000
Anyway, come on, hurry up.

186
00:45:50,000 --> 00:45:54,000
I didn't want to, but that's me. I want to drown too.

187
00:46:01,900 --> 00:46:03,976
Mitsy, Mitsy.

188
00:46:04,000 --> 00:46:07,000
Save him for me, please.

189
00:46:08,500 --> 00:46:10,476
It enters the eyes to save.

190
00:46:10,500 --> 00:46:12,500
I am saved.

191
00:46:12,500 --> 00:46:16,500
We will shoot Marlène's music video in 15 days.

192
00:46:20,500 --> 00:46:23,500
Mitsy, Mitsy.

193
00:50:10,000 --> 00:50:14,000
It's the church, and I named it.

194
00:50:14,000 --> 00:50:16,000
I love him.

195
00:50:17,000 --> 00:50:21,000
Thanks, Mitsy. Thank you all. See you tomorrow.

196
00:50:26,000 --> 00:50:27,000
Good evening, Mitsy.

197
00:50:27,000 --> 00:50:28,000
Good evening.

198
00:50:31,000 --> 00:50:34,000
Come on, let's go home. I prepared a candlelight dinner.

199
00:50:34,000 --> 00:50:36,000
Oh no, I'd rather stay here.

200
00:50:37,000 --> 00:50:39,000
Like the other girls?

201
00:50:39,000 --> 00:50:41,000
Like all the other girls.

202
00:50:42,000 --> 00:50:44,000
And treat me worse than all of them.

203
00:50:44,000 --> 00:50:48,000
You are crazy. I'm going to get the car.

204
00:50:55,000 --> 00:50:57,000
Don't forget to turn off. To go away?

205
00:50:57,000 --> 00:50:59,000
Yes, but I am here.

206
00:50:59,000 --> 00:51:01,000
Come treat me like the other girls.

207
00:51:01,000 --> 00:51:02,000
If you want.


